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07 October at 13:56
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None yet I'm afraid - they are being a bit sticky about shipping outside of the Uk but we are working on it 
06 October at 15:16
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Upcoming Marvel comic movies and TV series
Author
Post
KnightFall500 
03 July 2009
14586
03 July 2009
14586
Bob the Third 
30 May 2012
3308
30 May 2012
3308
KnightFall500 03 July 2009
14586
03 July 2009
14586
Bob the Third 30 May 2012
3308
30 May 2012
3308
Bob the Third 30 May 2012
3308
30 May 2012
3308
Bob the Third 30 May 2012
3308
30 May 2012
3308
Bob the Third 30 May 2012
3308
30 May 2012
3308
Bob the Third 30 May 2012
3308
30 May 2012
3308
Bob the Third 30 May 2012
3308
30 May 2012
3308
Thanks to Lego...seems Stark survived Endgame
https://www.figures.com/2019/04/15/lego-spider-man-far-from-home-sets-revealed/
https://www.figures.com/2019/04/15/lego-spider-man-far-from-home-sets-revealed/
Bob the Third 30 May 2012
3308
30 May 2012
3308
KnightFall500 03 July 2009
14586
03 July 2009
14586
Bob the Third 30 May 2012
3308
30 May 2012
3308
Tebulot 
31 March 2007
6639
31 March 2007
6639
So you are right, Disney is definitely a PG-13 studio, but they do have other brands that do R stuff that they could release Deadpool under. Bob Iger did say that they would not be getting rid of Deadpool, but that ifthey actually release the film. If they decide to keep him outside the MCU proper, he can mention things etc and just let him play in his own little corner then I can see this working out. While those films make huge profits I think they will let Reynolds continue, the second it "fails" they'll reboot and recast.
Wolverine was Fox before the merger.
Wolverine was Fox before the merger.
Bob the Third 30 May 2012
3308
30 May 2012
3308
The Charlie Hunnam rumour seems to have started because of a Bosslogic poster. Feige has already said that we won't see the X-Men or the FF for around 5 years, putting the films at around 2024, so casting filming etc only to start in 2022. Far too early for them to be casting anyone.
As for the Rock, that rumour has been around for at least the last decade, don't see DC letting him work for their rivals while he has a contract with them. I also think that the Namor rights are tied up in some sort of Universal deal, similar to the Hulk's.
As for the Rock, that rumour has been around for at least the last decade, don't see DC letting him work for their rivals while he has a contract with them. I also think that the Namor rights are tied up in some sort of Universal deal, similar to the Hulk's.
Bob the Third 30 May 2012
3308
30 May 2012
3308
Correct about the Namor rights for a Namor solo movie, however , same as Hulk, he may be part of a “team movie”. Johnson posted a movie clip on his Twitter account saying he looks forward to working with Marvel after meeting with Feige, aslo the Black Adam character and movie seems to be going nowhere with DC.
Anyway its great to see the big name actors knock on the door of the MCU.
Also I think its time we get to see the F4 in the larger MCU.
DEATHGIGAS 
10 March 2007
12680
10 March 2007
12680
KnightFall500 03 July 2009
14586
03 July 2009
14586
KnightFall500 03 July 2009
14586
03 July 2009
14586
Bob the Third 30 May 2012
3308
30 May 2012
3308
https://icv2.com/articles/columns/view/43373/pets-2-tops-box-office-dark-phoenix-flops
"The box office prospects for Dark Phoenix look even bleaker. It is the first X-Men film ever to open her in North America below the $50 million mark, and Dark Phoenix’s $33 million bow is so far from $50 million that it appears that it will also be the first X-Men film to fail to earn at least $100 million in the domestic market.
It has been quite some time since a major comic book-inspired film has flopped so miserably, so it is important to look at some of the reasons for this box office disaster. Right off the bat, the fact that Fox changed Dark Phoenix’s release date twice is a very bad sign that the studio knew they had a problem on their hands. While reshoots can sometimes help salvage a foundering film, they often fail to do so while driving up the cost (Dark Phoenix reportedly cost $200 million to produce and will almost certainly end up well in the red).
Reviews don’t always play a huge role in how genre films play at the box office, but Dark Phoenix had the worst notices in franchise history (just 23% positive on Rotten Tomatoes), and the fact that the previous X- Men film in the franchise, X-Men: Apocalypse, which opened with $65.5 million in 2016, also received bad notices and bad word-of-mouth certainly didn’t help. Word-of-mouth for Dark Phoenix isn’t going to help either—opening weekend audiences, which skewed male (57%) and older (61% over 25), gave the film a lousy “B-“ CinemaScore.
Comic book fans are also aware that Dark Phoenix would be the last of the Fox-produced X-Men films. With Disney buying Fox, the rights to the X-Men characters will revert to Marvel Studios, who will “reboot” the series at some point in the future, and Marvel Studios has a much better rep with fans than Fox, which destroyed the Fantastic Four franchise, even before it ran the once-promising X-Men franchise into the ground. Fox had also worked the “Dark Phoenix” storyline (in less than sterling fashion) into X-Men: The Last Stand, before tapping it once again for Dark Phoenix.
Dark Phoenix opened in every major world market except japan, earning $107 million ($45 million of that came from China). Given a domestic performance under $100 million, Dark Phoenix will need at least a $550-600 million worldwide total just to break even given the film’s massive ($200 million) production cost."
"The box office prospects for Dark Phoenix look even bleaker. It is the first X-Men film ever to open her in North America below the $50 million mark, and Dark Phoenix’s $33 million bow is so far from $50 million that it appears that it will also be the first X-Men film to fail to earn at least $100 million in the domestic market.
It has been quite some time since a major comic book-inspired film has flopped so miserably, so it is important to look at some of the reasons for this box office disaster. Right off the bat, the fact that Fox changed Dark Phoenix’s release date twice is a very bad sign that the studio knew they had a problem on their hands. While reshoots can sometimes help salvage a foundering film, they often fail to do so while driving up the cost (Dark Phoenix reportedly cost $200 million to produce and will almost certainly end up well in the red).
Reviews don’t always play a huge role in how genre films play at the box office, but Dark Phoenix had the worst notices in franchise history (just 23% positive on Rotten Tomatoes), and the fact that the previous X- Men film in the franchise, X-Men: Apocalypse, which opened with $65.5 million in 2016, also received bad notices and bad word-of-mouth certainly didn’t help. Word-of-mouth for Dark Phoenix isn’t going to help either—opening weekend audiences, which skewed male (57%) and older (61% over 25), gave the film a lousy “B-“ CinemaScore.
Comic book fans are also aware that Dark Phoenix would be the last of the Fox-produced X-Men films. With Disney buying Fox, the rights to the X-Men characters will revert to Marvel Studios, who will “reboot” the series at some point in the future, and Marvel Studios has a much better rep with fans than Fox, which destroyed the Fantastic Four franchise, even before it ran the once-promising X-Men franchise into the ground. Fox had also worked the “Dark Phoenix” storyline (in less than sterling fashion) into X-Men: The Last Stand, before tapping it once again for Dark Phoenix.
Dark Phoenix opened in every major world market except japan, earning $107 million ($45 million of that came from China). Given a domestic performance under $100 million, Dark Phoenix will need at least a $550-600 million worldwide total just to break even given the film’s massive ($200 million) production cost."
